In a station of the metro

The apparition of these faces in the crowd;

Petals on a wet, black bough.

— Ezra Pound

Above: incredible art/architecture at Solne Metro Station, Stockholm. Picture from The Cool Hunter; follow the link for more.

Here comes the fall

For the last week I've been on maternity leave, prefaced by that holiday feeling where I look at my desk and the papers thereon, and feel certain I'm never coming back. I've slipped into it slowly, still feeling that I ought to be paying attention to emails, and still feeling that heartfelt sense of anguish when I hear we've lost business to the competition, as well as being irked by office politics and not being copied in (I still have to run this business when I go back...). I think I may still be in denial about what is about to happen, but now we have a timetable: because of the gestational diabetes, I'm not going over the due date. My mum arrives on Tuesday and I check in to the hospital on Sunday, unless he decides to arrive sooner.

One of the other pitfalls of pregnancy has been visited upon me: falling over in the street. More specifically, it was Sydney Road, on the way back from the IGA supermarket, and without warning, in awful slow motion, I tripped and dived to the pavement. I took most of my weight on the heels of my hands, and apart from scuffing my toenail varnish (Graphite, in case you wondered), the only real injury suffered was to my already-shredded dignity. Falling over is surprisingly common and all the (mostly terrible) baby books mention it: the result of an altered centre of gravity and heightened clumsiness (in my case).

To add to the humiliation, a helpful drunk raced across the road from the pub, dodging the traffic of Sydney Road with scant regard for his own safety, grabbed me by the arm and tried to haul my not inconsiderable frame off the pavement.

Bicycle races

I've been living in Melbourne for nearly three months. Notwithstanding that it's been rated as the most desirable city on earth by The Economist, I must confess that its charms have so far eluded me in comparison to Sydney. Perhaps it's because it feels like a small town masquerading as a big one; perhaps I just haven't given it a chance (and the cold of winter, which is only just beginning to ease, made a big difference to my admittedly petulant sense of aggrieved injustice regarding the place where I currently have to live) - and there's no doubt it looks and feels like a much better place when the sun shines.

One area where Melbourne does outshine Sydney is in the provision and ubiquity of bicycle lanes. The city and inner city are all relatively flat, roads are generously proportioned and laid out in a grid system, and as a result there are a plethora of cycle lanes which get a lot of use every day.

Alongside the light railway line in my suburb (Brunswick) there's a cycle path that runs pretty much all the way into the city. Every morning it's thronging with cyclists, some racing the train to take advantage of green lights at the crossings, which close for the train to pass. There are scores of cool kids in hun helmets (which I believe are more formally known as BMX helmets, and are a far cry from the plastic deformity I have to wear on my head, which is so large it makes me look as though I'm storing some form of foldout tent inside it), and my favourite sight, which is that of two or even three kids packed into a little wooden frontloading cart, speeding along in fine style with a puffing parent behind them, hard at work at the pedals while they sit there, content to be borne along like little nobles. What a great invention! Is it even legal?

A certain slant of light

Wandering home after work through my adopted city today, at a certain moment I looked right up and thought "I live in a beautiful place". I love cities, and have lived in a few (Edinburgh, Glasgow, London, Hong Kong and Sydney) but this one still catches me by surprise (double click on the photograph above for the full glory of the vista).

As we are approaching winter here, this view made me think of the first two lines of the Emily Dickinson poem, although none of the rest of it seems to fit:

There's a certain slant of light,
On winter afternoons...