Another season passes by you

It sounds trite, but I find that one of the interesting things about Australia is that when you look at the sky, you know you're in a big country. There's something about the sheer scale of the land mass which seems to impact on the clouds which always seem so much higher in the sky than they are where I grew up, in Scotland, where louring, rain-filled, threatening clouds of slate-grey hue sometimes seem close enough to touch. Even in countryside north of Sydney, in the Hawkesbury Valley which is farmland like the landscapes I'm used to and has similar contours, there would be no waking up from a long journey and mistaking it for East Lothian.
This picture was taken from the balcony last night. It's spring, the days are sunny but the nights are cool, and the moon beamed through the clouds above the city.

London

Charing Cross, from the window of the Charing Cross hotel; early morning, late June 2008

Ghost world

View from the window of the Crowne Plaza St Paul Riverfront, St Paul, Minnesota, after an ice storm, February 28, 2008.

Ghost lanterns

Chinese New Year lanterns at the Royal Hong Kong Yacht Club, Causeway Bay, February 11, 2008. The colours are really rich red and bright neon, but my camera phone bleaches everything. Detached from reality it may be, but there's something mysterious about this picture that I quite like.

Grounded

I'm a skyscraper wean, I live on the nineteenth
flair,

But I'm no gaun oot to play ony mair...

O ye cannae fling pieces oot a twenty-storey flat,

Seven hundred hungry weans will testify to that,

If it's butter, cheese or jeely, if the breid is plain or pan,

The odds against it reaching earth are ninety-nine to wan.

The Jeely Piece
Song (Adam MacNaughton)

Me and my sister used to sing this song at ceilidhs in Iona, an island on the west coast of Scotland where we went on holiday for three weeks every year because our dad had a commission to carve birds and animals of the island on the cloisters in the old abbey. We lived in a cottage, so the song never really meant anything to me.

At the end of the month, after five years of living in high-rise buildings, I'm not going to be a skyscraper wean any more: we're moving to Stanley, on the south side of Hong Kong island, to a ground floor flat with a patio garden. I've grown so used to living at such great heights that it's going to be a strange transition. I'll miss the amazing view (see above), and the sheer, epic laziness of having access to a supermarket directly underneath my block, even if it is only Wellcome; I'll miss being able to get the bus at quarter to 9 and still be early for work, or better still, walking down the escalator and arriving at the office in 20 minutes (or longer, depending on how high my heels are that day). But the place we are going to is a peaceful, calm refuge, and that can't be said of our current flat, where noise is all around and you can hear brakes squealing and car horns and the people upstairs running the bath, or arguing and slamming doors at all hours.

Gone are the dark clouds that had me blind

The view from the bedroom window, on an unusually clear day in Hong Kong, January 12, 2008.

At the violet hour

At the violet hour, when the eyes and back

Turn upward from the desk, when the human engine waits

Like a taxi throbbing waiting...

From The Waste Land, TS Eliot

Unreal city

The view from our bedroom window, 7.20pm, June 15, 2007.