Let's go round again

Yesterday the HKOCC team competed once again in the Around the Island Race. This year we were able to put in a women’s crew. It’s 46K right round the island so it’s a change race – where paddlers jump in and out of the boat in a kind of relay. There were a couple of international crews paddling this year – Team Hawaii (the gods of the outrigger world) and Poksai, a strong women’s crew from Guam. Accordingly, I was acutely aware that yesterday was hellishly polluted, with extremely poor visibility and a faintly acrid taint in the wind: “please leave your tropical island paradise, where the skies are always blue, and come to see the sights of Hong Kong… er… oh.”

To the sailors’ great chagrin, there was no wind yesterday and the water was as flat as a pancake, so every single outrigger canoe (and there were nine), and two oceangoing double sculls, finished ahead of the sailors.

The race itself was pretty tough (our time was 4 hours 50 minutes, compared to team Hawaii’s 3:15), but quite exhilarating, even the sea changes, where you bob in the water as the boat veers towards you, hoping that you’ll have the strength to grab the sides and haul yourself in, in a sort of panicked blur (“Imagine there’s a shark underneath you”, I was advised). I have bruises in all the wrong places (from landing inelegantly on the side of the canoe) and my hands are in shreds, but it was a brilliant experience, especially paddling in through the harbour with ferries coming in on either side, the water like a washing machine, wake and waves everywhere and Hong Kong’s tallest building, 2 IFC, appearing through the gloom followed by the alien structure of the Convention and Exhibition Centre.

The above picture shows our boat coming in (I'm at seat two) - and gives a hint of just how murky the air was.

Not my bag

Asian women are very fond of Louis Vuitton - real or (whisper it) fake: apparently 94% of Tokyo women in their twenties own something bearing the LV logo (that could well be a made up statistic, although not by me: but it has a ring of authenticity about it from empirical evidence). On the bus in the morning, I can see at least 10 LV bags from where I'm sitting. It's almost cliched to observe that for the Chinese in particular, for the purposes of "face", wealth is something you wear on your sleeve.

Counterfeiters in mainland China have taken a very pragmatic approach: given how much money there is to be made, why not go straight to the source and hire Italian craftsmen from Louis Vuitton factories to make it look like the real thing? So good have the fakes become that at one time, before anyone got wise, people were taking fake LV bags in to the mainland's newly opened, less-sophisticated LV stores and getting their money "back".

Surely, however, even the most hardened LV fan will balk at this dog's dinner. As a further, even more unnecessary embellishment, that tuft of fur is frankly the most disturbing feature I've ever seen on a handbag. Marc Jacobs, hang your head in shame!

Find the Gap

From the sublime to the ridiculous: Roland Mouret designing for the Gap. I'm not convinced this is anything more than a cheap publicity stunt.

Mind the gap

There are a hell of a lot of very wealthy people in Hong Kong. Conspicuous wealth is everywhere, from the record sum a billionaire was willing to pay for a truffle (US$160,406), to the tycoon who has just paid US$17.4m for Andy Warhol’s pop-art portrait of Mao, to the proliferation of the world’s largest signature designer shops (Gucci, Armani, Lanvin), with unwearable clothes and baroque jewellery glittering inaccessibly behind heavy windows, to the fact that Hong Kong has the highest per capita ownership of Mercedes and the most dollar millionaires per square metre.

But there’s a lot of poverty and hardship here too: huge families packed in to 700 sq ft apartments; people sweltering in filthy rooms; children who can’t afford books; taxi drivers who throw themselves from the top of buildings because they’re so heavily in debt.

It does bother me that this dichotomy exists, and that I’m part of the problem, with my shallow desires for shoes and rings : from precipitous glass edifices posing as office buildings to rotting shacks – it’s a city of contrasts all right. The only thing we all have in common is that we’re currently all breathing the same filthy polluted air.

Holiday in Cambodia

I haven't really felt able to write about the experience of travelling with my mother to Cambodia because something so multi-faceted needs to time to digest.

It's also incredibly difficult to write about the trip in any meaningful way so I won't try. A few things:

When the Dead Kennedys wrote the song with the title of this post, it was a genuinely appalling prospect to visit Cambodia; and although Year Zero was in 1979, it's only 10 years ago that the resultant civil war finally ended.

Clearly there is a huge amount of poverty, but also, jarringly, conspicuous signs of wealth: along the narrow, crowded streets, amongst the mopeds, and bicycles, and tuktuks, occasionally an oversized 4x4 with blacked-out windows would make its brutish way, and once I saw one of those concrete symbols of arrogance, a Hummer. The city was undoubtedly not designed for large vehicles of any kind and on our way back to the airport our driver took a shortcut which led us straight to the heart of a traffic snarl of unimaginable intractability, at a standstill like a blood clot spreading out from the city centre.

Our visit had two purposes: I wanted to visit Sok Sabay, the orphanage in Phnom Penh where the little girl that we sponsor lives; and opportunistically, I'd arranged to go and visit the Extraordinary Chambers of the Courts of Cambodia to see if my company could provide any services to the tribunal trying the remaining leaders of the Khmer Rouge (slogan: "To keep you is no benefit. To destroy you is no loss").

We stayed in the Foreign Correspondents' Club, overlooking the Tonle Sap, the wide, muddy river leading from Asia's largest freshwater lake to the Mekong. The river is the focus of the entire city, and along its banks are beggars, people selling hot food from mobile stalls (eggs, insects, pears), and kids selling travel guides from boxes slung round their necks. We saw an elephant, festooned with a red banner, walking along the street. When we sat outside a cafe eating lunch, squads of pocket sized kids crept up behind the protective row of pot plants with their hands out for money, but they seemed happy enough when we took some of them to a food stall and bought them prickly handfuls of lychee-like fruit, or a couple of waffles.

The orphanage houses 69 kids and we waded through calf-deep water in the flooded street to join them for lunch. They're housed in two multi-storey buildings, the upper floors packed with beds, and there are computers and blackboards and books, and the kids are happy and healthy. It is a very pragmatic, cheerful place. The kids were incredibly affectionate: one little mite leapt out of nowhere into my arms for a hug. The little girl we sponsor was quite shy at first but we took her out for ice cream and she seemed to relax a bit and put her hand in mine as we walked by the river. We bought her a little box from the Russian Market; when she was picked up to be taken home on the back of a motorbike, she turned and waved and waved until she was out of sight.

The Extraordinary Chamber has taken shape a few miles out of Phnom Penh, in an old army base. The tribunal itself will sit in a converted army concert hall, on a vast wooden stage, with tiered rows of blue seats holding the audience, watching the witnesses and defendants in the spotlight. I asked the Cambodian administrator who was showing me around how the Cambodian people felt about the tribunal given that it is costing US$20m a year (a snip of the US$90m reportedly being incurred by the ICTY). He said simply "People want justice".

Chan meeting

Hong Kong has a waxwork museum, on the Peak, inside the massive anvil-shaped building that contains the viewing tower from which, on an increasingly rare clear day, you can see down to the whole of Central and across to Kowloon. The waxworks, judging by the pictures, are astonishingly inept: the one of David Beckham looks like Steven Seagal, which I suppose is killing two birds with one stone: like a Rorshach blot, if you want Beckham, you get Beckham; if you want Seagal...

Above: Steven Seagal's waxwork (c) Hong Kong Waxwork Museum, AKA another opportunity to publish a risible photograph

I was in the lift in my office building with Jackie Chan yesterday. Had he been on his own I would certainly have said hello, but he was chatting animatedly with the person he was with, so I kept my mouth shut. The interior of the lift is entirely clad in mirrors (profoundly disheartening on a bad hair day) so I was able to observe him from a few different angles. Clearly he looks nothing like he does on the telly, and in fact it immediately struck me how much he looks like his waxwork. Ouch!

Chain of fools

Nicolas Ghesquiere for Balenciaga, Spring 2007. From style.com.

Shock of the new

Nicolas Ghesquiere for Balenciaga, Spring 2007 "ready to wear". On the contrary, it's practically unwearable, but somehow fabulous.

Why should I let the toad "work" squat on my life?*

It's my birthday today, and I'm off work and wandering the streets seeing again, as if for the first time, what people who don't work do all day. When I was looking for work in Edinburgh in 1993, I remember walking along Princes Street looking at people in suits and feeling permanently excluded from their club.

Someone asked me the other day where I get my confidence from and I answered straight away "professional success" (half-quoting from the maxim "professional success is the revenge of the nerd"). Work is extremely important to me: what I do is a major contributor to how I feel about myself. I still suffer from crises of confidence about work, and whether or not I'm competent; but on the whole I feel confident about myself because I have a good job.

I've been feeling a bit disillusioned about work lately but walking around today reminds me that I need to work. I couldn't bear to be a tai tai, wafting around Lane Crawford and spending money on expensive bags to no end.

Amongst other things, today I noticed that a significant proportion of people are boldly walking around with a small flannel tucked into their clothes at the back of the neck. While practical (in the humidity of Hong Kong it absorbs the sweat), it's also frankly a bit disgusting. Do you rinse out the flannel by hand at the end of the day? Perhaps someone should suggest to Commes des Garcons that they should be incorporating this as a style feature in their workwear.

*Philip Larkin

Thick as mince

A very Scottish story.

http://news.bbc.co.uk/2/hi/uk_news/scotland/tayside_and_central/5363952.stm

Quote: "although the mince had been thrown, it was not hot mince". Now you have to read the story.

Soled out

Christian Louboutin from net-a-porter. Because I like to juxtapose... or maybe I'm just shallow.

[If you're looking for a hagiography of Violet Naylor Leyland, you're in the wrong place. If you want to read some scorn, go here. If you don't know what hagiography means, go here.]

Dollars in the heavens

On the plane on the way back to Hong Kong the pilot remarked that it was a beautiful night for flying. I lifted the plastic shutter to look out of the window and saw the most amazing vista. The sky was perfectly still. There was pale blue light above and dark blue below, and a seam of pink on the horizon, and narrow threads of white cloud here and there, and above it all hung the moon, glowing perfectly white and perfectly full. For a moment I felt disorientated, as though we could have been flying upside down (as John F. Kennedy Jr reportedly did). The sky gradually began to turn deep blue and for a while I watched the moon glow almost unbearably brightly until finally it was covered by cloud.

I'd just been watching "An Inconvenient Truth", which is genuinely scary. I couldn't see a sky like that without wondering if there's something strange and unusual going on as a result of the hammering we give the planet. Amongst moments of levity in the film, and there are a few of them, though mostly in an ironic vein, there's a clip of George Bush Sr's surreal, yet sincere, declaration that "if these environmentalists get their way, we'll be up to our necks in owls".

Meanwhile, on a completely different planet, the University of Utah has been told by the Utah Supreme Court that it can't ban guns from the campus.

Singapore slung

I seem to have nae luck when it comes to taxi drivers in Singapore. I could have sworn today's had Tourette's; either that or he was so pleased to see me he kept on inadvertently trying to turn his head 180 degrees to look backwards.

With a consequent free disregard for the lane demarcations, we coasted along the main road to the airport, which is dead straight (any dead straight road when I was a kid was "a Roman road") and lined in the centre with flower boxes containing attractive pink flowers.
The sight fair gladdens the heart on first arrival in Singapore, but takes on a more sinister connotation when you hear the rumour that the plants can be removed at a moment's notice, presumably withdrawing Dr Evil-style into a massive underground bunker, in order for fighter planes to take off in the event of war.

Singapore's biggest problem is its lack of natural resources: like Hong Kong, it's theoretically at the mercy of its largest neighbour any time they choose to turn off the tap. Considering they used to be the same country (Malaya), Singapore's bitter rivalry with Malaysia is surprising, but, on reflection, it's understandable given the Singapore government's effective inculcation of super-strength loyalty in its citizens.

I'd fear I was being cruel about the taxi drivers, who are perfectly innocent in all this, of course, if it weren't for the obvious point that I've had two near-death experiences on my last two trips to the airport.

You can't hide your love forever

I've just bought the Orange Juice compilation, The Glasgow School - breaking my own rule of "out with the old, in with the new", or is it "never go back"?

Reading the sleeve notes I was astonished to discover that the classic "Blue Boy" (as well as "Lovesick" and the better known "Simply Thrilled Honey") was recorded in the village I grew up in, in my old school, which was turned into a recording studio in the late 70s. I visited the studio (Castle Sound) in the early 90s to see a friend who was recording there, and for the twisted nostalgia of it, I knelt on the polished wooden floor in what used to be the assembly hall (now a recreation room complete with pool table) and sang a few bars of "The Lord of the Dance", just like old times.

My sister and I used to listen avidly to a weekly programme on Radio Forth, hosted by Colin Somerville, called The Rock Report. I clearly remember him playing a few bars of "Blue Boy", which was the second single released on Postcard Records (I resist the tempation to use the adjective "legendary", but it is). I had no idea that what we were taping, using the time-honoured ancient tape recorder crammed up to the radio, which meant that our comments and parodies could often be heard in the background, had been recorded less than a mile away.

I suspect only my sister and I will find this news at all exciting. But I felt a strange stab of disorientation that, as I travelled to work on the number 23 bus from Mid-Levels to Admiralty in Hong Kong, I should be listening to a song recorded by one of Scotland's best ever bands in the building where I learned to write.

The deceitful face of hope and of despair

I was thinking about calling this post "Leaving on a jet plane", which seems appropriate for a number of reasons. I've been suffering from jetlag all week, having arrived back from the UK on Sunday. Jetlag does strange things to your mind, not least because it involves (often) being inadvertently awake at 3am which as you know is the worst time to be awake if you don't want to be.

Yes, jetlag is that contemptible middle class affliction, so you may say I deserve no sympathy (and the cure for jetlag is not to fly); but what it really feels like is suffering from a week-long hangover complete with all those feelings of disorientation, intermittent self-loathing, miserabilism, and helplessness. After the plot to blow up planes mid-air was uncovered this week, my 3am preoccupation was how angry and impotent I feel about the fact that although clearly UK foreign policy is a powerful impetus for nihilistic religious maniacs with murder in their hearts, Tony, and I voted for him in 1997 (or at least, for the lickspittle David Lamy, in whose constituency I was living at the time), persists in his egomaniacal self-serving refusal to bow to anyone's advice, no matter how sensible, at the cost of the lives of hundreds of Lebanese civilians to date, a third of whom have been children.

That last fact puts my own silly preoccupations into perspective.

Cooler than the red dress

Preen, A/W 2006/2007, at London fashion week. (From VOGUE France which is infinitely better than British VOGUE.)

Everyone sang

Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on - on - and out of sight.

Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away . . . O, but everyone
Was a bird; and the song was wordless; the singing will never be done.

Siegfried Sassoon

Speak, memory

Yesterday was the first anniversary of the London bombings. A year ago me and J were driving from Edinburgh to Halifax airport, returning our hire car and listening to the radio. We knew straight away what it meant, as most people listening must have, when they said there had been a reported "power surge" on the London underground and that people were emerging injured from the stations.

Our friend G was in the first carriage of the Piccadilly Line train that was bombed, a route I used to meet him on when I worked in London, before I started travelling by scooter becaue I couldn't bear the rush and the crush. He would get on at Turnpike Lane and I would get on one stop later at Manor House, often letting three or four packed trains go by, unable to get on. We would change at Holborn, and he would continue his journey to Swiss Cottage. I know that journey so well.

G is a New Yorker transplanted to London, warm-hearted, generous, inquisitive (he made it his mission to disembark at every tube station in the city in his first year, and walk for ten minutes to either side, so he knows London better than most Londoners do). He makes the most powerful vodka martinis I've ever tasted and laughs very long and hard at his friends' jokes even if they're quite unfunny. He's a loyal friend and a pragmatist. When the bomb went off he was standing in a different place from his usual spot, and thus avoided injury. He walked along the rails to Russell Square, emerged into the daylight, and amazingly, went to work as usual. He hasn't talked about anything he saw. Those are his memories.

I emailed him yesterday to tell him I was thinking of him, and he said he'd made the same journey, the train as packed as ever, and stood in the place he should have been standing at the same time, and thought about what had happened a year ago. No drama, no histrionics, just what he did and what happened to him.

Who you know

I was off ill from work yesterday, and miserable and listless in my flat. I ventured out once, to do some software training for clients which no one else was available to do, and on the way home in stifling humidity and sunshine, I succumbed to buying a copy of British VOGUE.

I should have known better. More than usually after reading it, I felt the mix of excitement and despair that always stems from reading fashion magazines: "I could be like that/I'm not like that". Sometimes the clothes seem baroque, ugly, unwearable, but sometimes deep in my shallow little black heart all I want to do is rush out and buy "autumn's new egg shape".

But this time I was also absolutely infuriated by much of the content. The cover story "COUNTRY HOUSE FASHION GETS A REVAMP" should have alerted me; the nod to the toff Tory leader David Cameron in the editor's letter; the Checklist piece which began "British Fashion has no greater champion than the Queen"; but worst of all, even by VOGUE's London-insular, nepotistic standards, was an article about "YOUNG LONDON" photographed by Mario Testino. Darling Mario says at the beginning

"What I absolutely loved about this shoot was photographing all the kids of my
friends"

- such an unvarnished, unashamed admission of what this piece was really about! And sure enough, across dozens of pages the spoiled, petulant offspring of the rich and well-connected, among them the sons and daughters of VOGUE contributors ("London's coolest teenagers") sprawled their way and, despite the billing ("our 'Young London' story ... shows that teen style can be every bit as quirky and innovative as it ever was", Alexandra Shulman gushes in her intro), they were not even wearing their own clothes. A sample:

"VIOLET NAYLOR-LEYLAND in Luella, LUCY LYTTLETON in Molly Grad ... Photographed at the Cuckoo Club."

"Fifteen year old TAMARA BELL claims she grew tired of the London club scene
when she turned 12. These days, though, she promotes a music night at Madame
Jojo's in Soho."

and most risible of all (but absolutely typical of the fawning tone of the entire piece):

"Art lover CLARA PAGET, the 17 year old daughter of the Earl of Uxbridge, loves
the culture surrounding the drum'n'bass scene and has been known to devote entire evenings to flyering upcoming nights." [my emphasis]

Sadly, none of the above is ironic. Rarely has the phrase "First up against the wall come the revolution" seemed more appealing.

Island of lost souls

I’ve spent the last few days in a strange netherworld, on an island in the Whitsundays in North East Queensland where golf buggies are the only form of transport - almost, but not quite, as scary as Discovery Bay in Hong Kong, near where the new theme park has been built: a Stepford toytown built primarily for the amusement of children, with Disneyland nearby.

My outrigger team (HKOC) participated in the Hamilton Island Cup. We didn’t win anything, because competition is fierce and sport is a religion in Australia; but we had a great time on the water and off, with much drunken capering at the party on Saturday night (tip: never drink a shot of any description containing Bailey’s) and have started to recruit teams to paddle in this year’s Round the Island Race.

I was in the support boat for the 46K change race, having applied super-strength anti-emetic patches the night before (usually I’m seasick at the slightest provocation), and M and I had a great time bobbing up and down on the high seas with two laconic Australian fishermen, one of whom cracked open the beers at approximately 10am and kept drinking all day, to the sounds of Jack Johnson (clearly Maximo Park would have been preferable, but there’s some thing nicely soporific about Jack’s voice that went well with the sunshine), while we waited for the canoe and held up seat numbers for the changes. The team finished in under 4 hours, which was a fantastic achievement.

Later we went up the hill - me behind the wheel of the buggy belonging to our villa, which turned out to be the slowest buggy in the kingdom, although I got up a good turn of speed on the downhill with the engine off - and watched the sunset next to a mobile bar, which appeared out of nowhere and packed up when the sun went down.

One thing I found extraordinarily frustrating during this trip was the lack of availability of international news from any source. The only TV news seemed to be very local, as was the newspapers’ coverage. Having been in Sydney and Melbourne for work the week before, I came back to Hong Kong feeling as though I’d been in a vacuum for two weeks.