Showing posts with label design for life. Show all posts
Showing posts with label design for life. Show all posts

Sunday, June 14, 2015

We hear the playback and it seems so long ago



"They send the heart police to put you under cardiac arrest
 And as they drag you through the door they tell you that you've failed the test"

Max, who has very clear ideas about what he likes to listen to, asked for "Video Killed the Radio Star" and I was prompted by that to listen to the Buggles' first album, The Age of Plastic, and muse about Trevor Horn and what an unloved visionary he seems to have been. My sister and I bought this album together in 1980 and, as we did with every precious record we bought, listened to it repeatedly. Listening to it now the songs are prescient but also incredibly sad - particularly "Elstree", which was Claire's favourite and always makes me think of her. ("Video Killed the Radio Star" sounds a little trite to me now, but maybe I've just heard it once too often.)

Working for the BBC may actually be a pretty decent job - I know at least one person who works there and is considered highly successful by everyone else we know - but there is something elegiac about this song.

I think of Trevor Horn as being in the category of people whose fame and consequent wealth brought them strange tragedy, not least by changing their lifestyles and/or political views - Rik Mayall and his quad bike; Bryan Ferry and his terrible reactionary children - but Trevor's tragedy was stranger than most: his son shot Trevor's wife, Jill Sinclair, with an air gun in 1994 and she died 8 years later, without ever speaking again.

Wednesday, March 25, 2015

Whatever hope is yours


Courage was mine, and I had mystery
Wisdom was mine, and I had mastery
From Wilfred Owen, Strange Meeting (1918)

I thought of these words this morning as I cycled past the University of Melbourne campus – something about the open bay windows of the well-appointed Victorian buildings of whatever Faculty it was reminded me very strongly of Glasgow and my first year there as an undergraduate (shown above, the School of Law). The poem is about war and the pity of war, but those lines are about the power of youth, if you can only grasp it.

I didn’t get the most out of university by any stretch – I lacked the confidence which age, or background, or a certain type of school can give you – and I didn’t do any of the things that were open to me and that I actually longed to do: write for the university newspaper, join the History Society, take up fencing and rowing, because I didn't dare. I clearly remember the sense of being an outsider staring through a window at something I had  no right to be part of  – a feeling that returned to me for a moment, in distilled form, this morning.

What is very clear to me is that background and schooling play an essential role in equipping children with confidence to go out into the world. Many of my classmates were from families of lawyers. They’d gone to certain Glasgow schools (out of 120, 15 from the same private school). While, after a couple of years, they may have begun to see this as a disadvantage of sorts, as those of us who came alone had to make friends and probably had a more interesting time of it in the end, at first it was a clear clique and another way for those of us with no connection to the law and to each other to feel excluded. I didn’t have any connections  to follow up for internships in my first summer break; I didn’t have the money to go away to Europe on holiday as many did; I didn’t even know how to write a CV (I cringe to remember that my very first CV was handwritten). I spent time with a tiny group of friends and my boyfriend. I moved in small circles.

My memories of this time are one reason why I’ve endowed a scholarship at the law school for a student from a disadvantaged background. A really important part of this is the offer of mentoring: on the assumption that without the patrician background, someone like me would be starting out with absolutely no knowledge of how to operate in the university environment. A wealthy background and an education that is paid for gift the recipient with much more than just education – there’s also a much better awareness of how to work the system. When people attack the idea of quotas for disadvantaged students they seem to be unaware of this: the real impact of “disadvantage” is not just measured in wealth but in confidence.

It took me at least 10 years from the day I started university to grow into confidence in myself. While that is what has made me who I am, and I don’t regret it, I do sometimes think of what I might have done then if I’d only had the courage.

Thursday, January 07, 2010

A necklace of raindrops


At a glance it looks like a little dragon's head - and I wish it were - but it actually appears to be enmeshed leaves. From Need Supply. But I think I like this one better:

Tuesday, August 19, 2008

Architecture and morality



On the other side of the harbour from my office on Hong Kong Island, the tower of the new ICC building is taking shape in West Kowloon. Known as a "superskyscraper", it will be 490m tall and Hong Kong's tallest building on its completion in 2010. It already looks too big for its surroundings: the only thing distinguishing it, like most skyscrapers, is its height.
At certain times of day it throws a shield of reflected sunlight across the harbour almost too bright to look towards - it's changed the landscape of the harbour forever. Did the architects realise that when the sun hit the glass at a certain angle it would shine out like a contemporary Pharos? There's something so arrogant and at the same time quite astonishing about it.