It is always the unreadable that occurs

I remember coming home from primary school at lunchtime and hearing the news on Radio 4 as my dad made lunch — "Dominy Carrot" (Dominic Harrod) and the World at One. I knew it was important even then, at the age of 7 or 8: my dad would be shaking his head, worried about portents, concerned about developments (oil, the Middle East: plus ça change). This was serious. At school we had to report back, every second day, about "real" news: the other days were about what had happened to us personally (fell over, scraped knee, climbed tree, built a little dam of sticks to block the stream, ate wild garlic on the way to school, got a puncture on the bicycle, climbed on a hay bale). I listened intently to the radio to glean "real" news, but I remember only writing about murders, even then being fascinated by them: the Black Panther, self-titled (oh the hubris) who murdered the heiress Lesley Whittle by hanging her in a bunker after his demands weren't met (what a sad and pathetic and, ultimately, 1970s story that is!); and a bit closer to home,  the World's End pub murders (still officially unsolved, but controversially so).

I've been what you could call a "news junkie" ever since — albeit I object to that term, since on the facts, I wouldn't steal from my mother, or inject myself with anthrax in order to get my fix. The Australian press is shockingly poor, partisan without admitting it, partial and lazy; I still read whatever I can get my hands on. I still read The Guardian (the best newspaper in the world - am I wrong?) every day, a habit that's almost lifelong (my brother Robin, when he was 13 and I was 15, brought a copy home and we were all hooked). Even though it sometimes seems absurd and pointless, I check every day to see what's happening in the world and become enraged anew at some injustice.

It's fascinating to look at Max and wonder how he will get his news — if he is even interested in it — and what he will find to sigh over.

I spy

Dresses at V. Lotus

Manic Mannequins at Doug Up On Bourke

Rings from I Ran the Wrong Way

Breakfast at Little Marionette

When I first moved to Sydney, I had some time off before going back to work and so I started the blog A Place A Day. It's quite labour-intensive: I identify a place that is of interest, take around 40 photographs there, distill them down to 20 or so, and write a short paragraph about what I found interesting. Often I would end up covering the place where I had lunch. I put pressure on myself to do it almost every day; and now I'm back at work it's impossible to keep up, so it's more of a place a week (or less) and the title has proved to be fraudulent.

What I learned in doing this was that one of my favourite aspects of the process, apart from photographing and then eating food, was talking to the people who owned the place. Inspired by my friend Davey's Shot by Shooter blog (hands down the best, and most interesting, street fashion blog in operation), I decided to take my camera to work with me and shoot people who catch my eye in the street for Sydney Spy.

Sometimes people say no (older women are often very reluctant, and I lost a beautiful girl in a jewel-coloured gown who said she felt she looked terrible today); sometimes they say yes, then affect an attitude (the only photographs I haven't used so far are of someone who posed petulantly then said "are you done yet?" – why not just say no?). I'm drawn, not to obviously dressed-up or self-important people, but to people who are just quietly going about their day with their own style, and by definition this often means that they're camera-shy.

Someone said to me they'd be too shy to go up to people in the street, but I enjoy the interaction, particularly the pleasure on their faces when I tell them how good I think they look, and I like the idea that they go away feeling good about themselves.

Stefanie

What I've also discovered is that fashion bloggers are very different from food bloggers: for one thing they are almost all women, many of whom photograph themselves and not others: obsessively cataloguing their outfits every day. I'm far happier behind a camera than in front of it.

Swayed

Tabitha Simmons Clodagh wedges. Seen in Lane Crawford; picked up, tried on, sighed over. Over $1000? Never.

I am beautiful and clean

These beautiful, and beautifully wrapped, objects arrived in a parcel from Singapore this morning. From Vice and Vanity. I love the witty little skeletal arm on the perspex necklace, and the uncompromising uniqueness of the golden half-moon. Objects to display as well as wear.

Such great heights

The view from the CitySpace bar at the top of Swissotel the Stamford, Singapore, at sunset, with two apple martinis waiting to be devoured (in this instance, one by me, and one by my colleague from the UK office). Every time I go there I remind myself how lucky I am. And not just because of the apple martinis, although they are the best I've ever tasted.

Go with the flow

Beautiful, and possibly unwearable, unless you happen to be entirely lacking the key characteristics of the female form (curves, dimples, cellulite). Roksanda Ilincic, from Net-a-Porter.

By the neck

In a shop in Stamford Place, an old building in Singapore (which hosts the hilariously outdated Singapore Walk of Fame which boasts, amongst other where-are-they-nows, Debbie Gibson's handprints on a concrete plaque), I saw an amazing jewellery collection by local Singaporean designers Vice and Vanity. There's a handful of little shops running along one side of the building, with old-fashioned grey-painted exteriors: interesting-looking, one-off boutiques, a nice contrast to the shopping centre Raffles the Plaza opposite, with its worldwide identikit stores (Ralph Lauren et al) and perpetual sales. On my recent trip, caught in a heavy downpour, I sought the shop out again but it had closed - I'd been thinking about their striking necklaces ever since and wishing I'd bought one. I didn't even know the name of the designers, but their style is so unmistakable that when I saw a necklace by Vice & Vanity in a copy of Singapore ELLE, I knew it was by the same designers.

What I like about these necklaces, aside from the fact that they're so incredibly striking and unusual, is this combination of industrial design with iconography that seems almost primitive (the ancient Egyptians spring to mind), but is actually very modern both in its execution and in its materials (perspex, spage age lightweight metals, and plastic).

Those are pearls

Shoes, Chie Mihara, from Plümo.

This is the second pair of Chie Mihara shoes I've stumbled upon (weirdly, on her website - watch out for the noodling Spanish guitar, running water and birdsong - I couldn't find a single pair I liked). These are a little bit chunky, but have such a lovely mother of pearl detail that I can forgive them anything. They have a 1940s feel so at first I thought that a teadress might be a perfect match, but I think they are perhaps too complicated to compete with a pattern, so red it is, and what's more no jewellery is to be worn, or else.
Dress, Giambattista Valli, from Browns.

This is what really happens

Maybe it's that deep marine blue on the living room wall. A house in Minneapolis, Minnesota, from Apartment Therapy.

McQueen is dead

Alexander McQueen (16 March 1969 – 11 February 2010). A designer of genius, and a man who once wrote "I am a c*nt" in the lining of a suit intended for Prince Charles. Both pictures, above, are from his last, deep sea monster-themed show at Paris Fashion Week in 2009.

Salute

Another beautiful bunch of flowers from Tenny's flower stall, Stanley Market, Hong Kong, on China National Day 2009. It's a special one this year, celebrating 60 years of communist rule in China. Sadly, I didn't have my camera with me walking down Stanley Main Street: there was a parade of dragon dancers accompanied by banging drums, followed by a procession of little kids with intricately painted faces in Chinese opera (Yuèjù) style, young women in traditonal Chinese shoes, and incredibly dignified old ladies with beautiful gowns and brightly coloured paper parasols. These flowers remind me of fireworks: in some small way a gesture for National Day, not forgetting that there were also human rights protesters in the streets of Hong Kong today, something that will definitely not be happening on the mainland.

October revolution

Brilliant pictures from Tim Burton's fashion shoot for the October issue of Harper's Bazaar: above, Nina Ricci; below, Alexander McQueen. I love the way that although the clothes look absolutely weird, impossible, and unwearable, as high fashion often is, for once this is echoed by the scenario in which they are displayed and it makes them beautiful.

Dark age

I just stumbled across a really excellent feature in The Guardian called Fashion for All Ages. It's so nice to see women in their fifties and sixties wearing beautiful clothes and looking great. Isn't it extraordinary that this is such an unusual sight?

I've seen the future

Divers (1930) - George Hoyningen-Huene (1900-1968). The composition and the texture of this photograph are flawless. I have a vague memory of it having been the cover of one of Penguin's editions of The Great Gatsby. Sunshine, languor, beauty, and nothing lasts forever.

Change your spots

I may be the only woman in the world who doesn't like Sex and the City. I really can't be moved by anything about it. What I do share with (what I understand to be) one of the bubble-headed pre-occupations of its protagonists (I may be being unfair here, but so be it) is a love of shoes I can't explain.

Today, at lunchtime, in Lane Crawford: Alexander McQueen.

Nostalgia is the enemy of the future

Oh, but they look so good...

Ready to wear

I frequently mock myself as shallow, but my love of clothes - nice clothes - goes back a very long way: to my early childhood, probably, and dressing up in shiny fabrics and embroidered capes from the dressing-up box; but definitely before I was ten, because I remember going shoe shopping with my mum and being absolutely definite about the shoes I wanted, even though she thought the heels were a bit too high for me (they were brown leather with pale brown plastic wedges, decorated with raised ridges in a box pattern, from Clark's in Dalkeith). Sophisticated I might not have been, but I loved beauty.

I still like to walk around Lane Crawford touching all the clothes as I pass the racks, running my fingers down chiffon sleeves and across cashmere collars and satin bodices. That I could actually own beautiful clothes still seems like an impossible joy to me.

I grew up wearing clothes passed down by my older sister, or made by my mum, or bought in jumble sales, until I could afford to buy my own; and I always seemed to be wearing something that was too small, or made out of strange fabric, or patched, or had holes in it, or was really made for a boy. I longed to look the same as everyone else. The pain of being different; the pleasure of wearing something beautiful, of looking good: these things are intermingled.

My favourite era is the 1940s, and the style epitomised by Lauren Bacall. I don't know where this comes from, because I don't think my mum ever felt the same way as this about clothes, and my sister's style is quite different from mine.

The picture above is as close to perfection as you could possibly be.

Hello pity

I’ve commented before about the inexplicable proclivity of women in Asia for Hello Kitty and other infantile icons. Only in Asia would you see a top-of-the-range Mercedes with its back shelf packed with wince-inducing cuddly toys. In a Tokyo department store recently I saw the reduction to the absurd of this phenomenon: a display of Hello Kitty kitchen implements from toasters to microwaves, plus Hello Kitty bra-and-knicker sets (for adult women?) and an entire display of accessories and gewgaws dedicated to Hello Kitty’s evil twin, who bestrode the stand like a colossus complete with goth-style black cape and skull and crossbones logo. The evil effigy had not been graced with a name but clearly it was Hello Sickie.

I wouldn’t want to imply that I’m insulting the intelligence of Asian women but there is a huge market out there for this dross and the infantilism it encourages is to be deplored. As for the Hello Kitty vibrator - you couldn’t make it up.

The pictures (to follow) are not all that great – I took them in a hurry lest anyone think that I was snapping them in order, god forbid, to have them copied cheaply in China.