
My family started going to Iona once a year in the late 1960s after my dad (Chris) accepted a commission from the Iona Community to carve flora and fauna of the island on the cloisters in the abbey. We went there for three weeks every summer; each week Chris would carve one capital. We were taken out of school to go, to some disapproval by our teachers; this may have been one reason for my parents’ disenchantment with the state school system which eventually led them to remove us from the local primary school to be educated at home.
An American journalist who met my sister and I one summer near the jetty took a picture of us, sitting on the sand with the jetty wall behind us. I’m 12 or 13, wearing cowboy boots and a long skirt, and my hair is short and tousled. We thought we were pretty cool, so I was very embarrassed by the caption in the book she later published, which suggested that we “had an innocence about us that American teenagers of that age have often lost”.
All of those reasons and many more are why Iona is such a special place to me. I feel as though I grew up there, and Iona grew up with me: every year we’d arrive and excitedly observe the changes over the last year: the new shops, the new people, the new buildings. Someone I loved at school sent letters to me one summer while he was away in Germany and I took them up in to the hills to read. The outside world was crowding in and the future was coming at us, fast.
Iona is still there, of course, and probably remarkably unchanged even now, because the weight of the hills and the stone and the white sands and the abbey are the things that make it special, not what grows then withers and dies in time-lapse. Iona is a talisman in my mind for all that is wonderful about Scotland and it’s still, to me, the most beautiful place in the world.
























