
It says "SUMMER DREAMS".

In the garden at the potter Kawai Kanjiro's house, Kyoto. The wisteria on the trellis above had just produced its delicate lilac-coloured blooms and was packed with bumblebees. The house was beautiful and in keeping with the appealingly strict aesthetic we have seen everywhere; the pottery was a bit disappointing, although Kawai did have the biggest kiln I've ever seen.
Sanjo-dori, Kyoto. It all seems fair enough, really.
Fearsome, if somewhat bemused-looking dragon painted on the vast ceiling of a wooden temple at Kennin-ji, the oldest zen temple in Kyoto.




Looking through photos of the Autumn/Winter 2009-2010 season from the Paris shows on French Vogue (where these photos came from), there are definitely some regrettable things going on: dresses with only one sleeve, for no discernible reason; fur adorning everything, despoiling some otherwise perfect 1940s silhouettes; the aforementioned wayward folds of fabric (beautifully seamed and sewn, often, but peculiar nonetheless); and Alber Elbaz will make his models wear rats' nests in their hair. Once again, what silly Karl Lagerfeld termed "the new modesty" is nowhere in evidence.


















Amethyst ring, Marie Helene de Taillac.

Apart from the known and the unknown, what else is there? - Harold Pinter